I put together this little pocket guide to the 2006/2007 Seattle Symphony subscription season for my symphony friends to help them decide which ticket package they wanted. Maybe it'll help you, too. Maybe not. But since I already put it together, I may as well post it. Explanatory notes follow the table.
Weekend |
Program |
Comments |
M |
L |
E |
O |
B |
C |
A |
S |
P |
G |
F |
09/28/2006 |
Rachmaninov: Third Piano Concerto Beethoven: Symphony #3 (Eroica) |
Excellent Awesome |
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10/05/2006 |
Copland: Music for the Theatre Mendelssohn: Violin Concerto Brahms: Symphony #1 |
Okay? Awesome Excellent |
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11/02/2006 |
Berlioz: Royal Hunt and Storm Harbinson: Double Bass Concerto† Tchaikovsky: Symphony #5 |
Okay? Nervous? Excellent |
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11/09/2006 |
Brahms: Hungarian Dances Bartók: Violin Concerto #2 Stravinsky: Petrouchka |
Excellent Okay? Polarizing |
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11/16/2006 |
Grieg: Peer Gynt Williams: Bassoon Concerto Schumann: Symphony #1 (Spring) |
Excellent Wildcard? Excellent |
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12/01/2006 |
Weber: Invitation to the Dance Tchaikovsky: Swan Lake (excerpts) Prokofiev: Cinderella (excerpts) Ravel: La Valse |
Excellent Excellent Excellent Awesome |
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½ |
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12/28/2006 |
Beethoven: Symphony #9 |
Awesome |
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01/04/2007 |
Dvořák: Serenade for Strings Barber: Cello Concerto Elgar: Enigma Variations |
Excellent Okay? Good |
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02/01/2007 |
Kernis: Newly Drawn Sky Kodály: Hary Janos Suite Brahms: Piano Concerto #2 |
Nervous? Good Awesome |
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02/08/2007 |
Grieg: Piano Concerto Bruckner: Symphony #9 |
Awesome Polarizing |
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02/15/2007 |
Rimsky-Korsakov: Russian Easter Overture Pärt: Tabula Rasa Sibelius: The Swan of Tuonela Sibelius: Symphony #7 |
Excellent Polarizing? Okay? Good |
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03/03/2007 |
Beethoven: Piano Concerto #2 Beethoven: Piano Concerto #1 Beethoven: Piano Concerto #3 |
Excellent Awesome Awesome |
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½ |
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03/15/2007 |
Beethoven: Egmont Overture Beethoven: Triple Concerto McKinley: Symphony #7† Stravinsky: Symphony in Three Movements |
Good Good Nervous? Polarizing |
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03/22/2007 |
Weber: Ruler of the Spirits Mozart: Violin Concerto #4 Shostakovich: Symphony #10 |
Good? Good? Polarizing |
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04/05/2007 |
Beethoven: Missa Solemnis |
Good |
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04/12/2007 |
Stravinsky: Feu D'artifice Prokofiev: Piano Concerto #3 Messiaen: L'Ascension Debussy: La Mer |
Good? Good Polarizing? Excellent |
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04/19/2007 |
Ravel: Ma Mère L'oye (Mother Goose) Szymanowsky: Symphony #4 Mussorgsky/Ravel: Pictures at an Exhibition |
Excellent Nervous? Awesome |
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04/29/2007 |
Prokofiev: Symphony #1 (Classical) Bobby McFerrin Improvisation Bizet: Symphony in C |
Excellent Excellent? Good |
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05/31/2007 |
Martinů: Double Concerto Kurtág: ... quasi una fantasia ... Bartók: Bluebeard's Castle |
Nervous Nervous? Wildcard |
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06/07/2007 |
Janáček: Glagolitic Mass |
Nervous? |
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06/14/2007 |
Mendelssohn: The Hebrides Bruch: Scottish Fantasy Stock: Symphony #5† Strauss: Der Rosenkavalier |
Good Excellent Nervous? Polarizing |
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06/21/2007 |
Schoenfield: Klezmer Rondo Poulenc: Gloria Dvořák: Symphony #8 |
Wildcard? Nervous? Excellent |
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06/27/2007 |
Mahler:Symphony #3 |
Polarizing |
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† |
Premiere |
M |
Masterpiece |
L |
Listener's Choice |
E |
Encore |
O |
Ovation |
B |
Bravo |
C |
Crescendo |
A |
Applause |
S |
Musically Speaking |
P |
Popular Classics |
G |
Allegro |
F |
Afternoons with the Symphony |
Notes:
This chart doesn't include "one-off" concert series such as the Visiting Orchestras or Distinguished Artists series.
Two boxes in the Bravo series are marked ½. The Thursday Bravo series includes the Ravel concert, whereas the Saturday Bravo series includes the Beethoven concert.
The comments column very crudely categorizes the works to assist my less-classically-aware friends. This is, of course, a highly subjective rating system, but I tried to view each piece from the ears of somebody new. Thus, I rated downward pieces that I personally like but which others might not. These predictions have, of course, proven wrong in the past. For example, this season, I was pleasantly surprised to find that one of my friends started getting into Kodály after hearing the Dances of Galanta. (I consider Kodály an acquired taste.)
Here's what the comments mean:
- Awesome: Guaranteed crowd-pleaser.
- Excellent: You will definitely like this piece.
- Good: You will probably like this piece.
- Okay: You may like this piece.
- Nervous: I have a bad feeling about this one.
- Polarizing: Some people will love it; others will hate it.
- Wildcard: I have no idea what will happen.
A question mark means that I am not familiar with the piece and am basing my evaluation on what I know about the composer (or am just guessing).
The Bartok Violin Concerto #2 is a great piece – quite accessible. I could never get into his lauded string quartets, but this is quite lovely.
Part’s Tabula Rasa is quite inoffensive, and popular enough to exist in a number of different instrumentations.
Martinu’s orchestral stuff is always a lot of fun. I can never remember which is which though, but his style is pretty unmistakeable. Time for me to drag out the symphonies, concerti and ballets for a review. You generally can’t go wrong with Czech composers, even in the 20th century (modulo some chamber works). If you want to preview some, go to http://www.musicabona.com – lots of samples and free shipping internationally!
If the Schoenfeld Klezmer Rondo is in the same vein as his Cafe Music then that should be a crowd-pleaser.
Sibelius’s Swan of Tuonela is gorgeous. It usually gets "bundled" with the Valse Triste. Crowd-pleaser.
I remember John "Star Wars" Williams’ Bassoon Concerto as being rather dull and overly earnest, like most of his concert-hall works.
I would have rated Mendelssohn’s Hebrides (Fingal’s Cave) overture a bit higher, it’s almost a classic pop.
Mike Williams: Thanks for the tips. (The Hebrides is actually one of my favorites, but I didn’t want to oversell it…)
I’d upgrade all the Bartok to excellent.
It does appear a very conservative program in general.
Copland’s Music For the Theatre should probably be at least a Good; I personally would rate it an Excellent. Copland in general is pretty accessible to most American audiences after all the "Beef: It’s What’s For Dinner" commercials.
Is Der Rosenkavalier polarizing due to the music, or the composer? I really like it, but I know a lot of people dislike Strauss the man and the music.
I put R. Strauss in the "polarizing" category because his stuff is pretty dense and if you don’t "get it" you end up bored to tears.
Looks cool. I’m a big fan of Rachmaninov, I’d love to hear one of his concerto’s live (although I like the second better than the third, the third is good too, especially the finale). Beethoven’s Piano Concerts have never done much for me, unlike his symphonies which I do like.
I’d go for the Stravinskys, the Poulenc.
Also, don’t forget the Kurtag. He’s pretty good, though I don’t think it will be entirely your kind of music. Though even if you presume you don’t like his music, ther are a couple of reasons why you should hear it:
* Barely performed;
* And if you don’t like the music, you were there and can at least talk about it or have a clueful opinion about it! :-);
* Maybe you’re in for a surprise?
The long-awaited dessert lounge opens.
The pocket reference guide for 2007/2008.
The pocket reference guide for 2008/2009.